Blue Hotel :: essays research papers

It is not surpri wickednessg for an authors downplay and surroundings to profoundly affect his writing. Having come from a Methodist rakehell and living at a time when the church was still an important facet in peoples daily lives, Stephen Crane was tardily instilled with apparitional dogmas. However, fear of retribution soon turned to cynicism and criticism of his reverend parents God, "the wrathful Jehovah of the Old Testament" (Stallman 16), as he was confronted with the savage realities of war as a journalistic correspondent. Making extensive hire of religious metaphors and allusions in The Blue Hotel (1898), Crane thus explores the interlaced themes of the sin and virtue. Ironically, although "he disbelieved it and hated it," Crane simply "could not free himself from" the religious background that haunted his entire life (Stallman 5). His father, a well-respected reverend in New Jersey, advocated Bible reading and preached "the right way.&qu ot Similarly, his mother, who "lived in and for religion," was influential in Methodist church affairs as a speaker and a journalist in her crusade against the vices of her sinful times (Stallman 5). This emotional furiousness of revival Methodism had a strong impact on young Stephen. Nonetheless, he -- falling short of his parents expectations on moral principles and spiritual turn outlook -- chose to correct and defy all those abstract religious notions and sought to probe quite into lifes realities. Moreover, Cranes genius as "an percipient of psychological and social reality" (Baym 1608) was refined after witnessing battle sights during the late 19th century. What he saw was a stark contrast of the field pansy and morality preached in church and this thus led him to religious rebelliousness. As a prisoner to his surroundings, man (a soldier) is physically, emotionally, and psychologically challenged by natures indifference to humankind. For instance, in the story, "what traps the Swede is his fixed idea of his environment," but in the end, it is the environment itself -- comprised of the Blue Hotel, Sculley, Johnnie, Cowboy Bill, the Easterner, and the saloon gambler -- that traps him (Stallman 488). To further illustrate how religion permeated into Cranes writing, many scenes from The Blue Hotel can be cited. Similar to the biblical Three Wise Men (Stallman 487), three individuals out of the East came traveling to Palace Hotel at Fort Romper. The issue explored is the expect for identity and the desire of an outsider (the Swede) to define himself through conflict with a society.